{"id":17411,"date":"2024-07-22T15:11:44","date_gmt":"2024-07-22T12:11:44","guid":{"rendered":"https:\/\/cas.bg\/?post_type=profile&#038;p=17411"},"modified":"2025-01-30T13:54:04","modified_gmt":"2025-01-30T11:54:04","slug":"ahmed-nuri","status":"publish","type":"profile","link":"https:\/\/cas.bg\/en\/profile\/ahmed-nuri\/","title":{"rendered":"Ahmed Nuri"},"content":{"rendered":"<style type=\"text\/css\"><\/style><p>Ahmed Nuri earned his doctoral degree in literary studies from the University of Amsterdam in January 2024, with a thesis exploring the interplay between modernity, the concept of the tragic, and parody in the twentieth-century Turkish novel. He holds an MA in European Studies from Lund University, Sweden. His scholarly journey includes research fellows at the Swedish Research Institute in Istanbul in 2019 and the Netherlands Institute in Turkey in 2020. His research interests encompass non-Western novel theory, world literature, the tragic and its philosophy, parody, exile literature, Turkish socialist literature in Bulgaria, and the literary encounters between Turkey and Scandinavia. Additionally, Ahmed Nuri has been a freelance editor specializing in coffee table art books and, more recently, academic books regarding various literature translated into Turkish.<\/p>\n<p><strong>Recent Publications:<\/strong><\/p>\n<ul>\n<li>\u201cThe Historical and Literary Context of Ate\u015ften G\u00f6mlek\u2019s Swedish Eldskjortan: the Translation Strategy, the Letters Between the Translator and Halide Edib, and the Reception of the Novel in Sweden.\u201d <em>T\u00fcrk Dili ve Edebiyat\u0131 Dergisi (TUDED)<\/em> 63, no. 1 (April: 2024): 117\u2013156.<\/li>\n<li>\u201cTanp\u0131nar\u2019\u0131n Al\u0131mlanmas\u0131na Dair Bir \u0130zah Denemesi (II): Yeniden Ke\u015fiften Fahri Tanp\u0131narc\u0131l\u0131\u011fa.\u201d <em>K24<\/em>, December 28, 2023.<\/li>\n<li>\u201cTanp\u0131nar\u2019\u0131n Al\u0131mlanmas\u0131na Dair Bir \u0130zah Denemesi (I): Tanp\u0131nar Ka\u00e7 Beden Giyer?.\u201d <em>K24<\/em>, December 14, 2023.<\/li>\n<li>The Tragic as an Ironic (Im)possibility in Orhan Pamuk\u2019s Cevdet Bey ve O\u011fullar\u0131.\u201d <em>Zemin<\/em> 5 (June 2023): 24-49.<\/li>\n<li>\u201cTurkish Literature as World Literature.\u201d <em>Nesir: Edebiyat Ara\u015ft\u0131rmalar\u0131 Dergisi<\/em> 4 (April 2023): 135-146.<\/li>\n<li>\u201cCan the Tragic Also Be Feminist? An Essay on the Poetics of Crisis Narratives in the 1960s and 1970s.\u201d <em>Zemin<\/em>, 3 (June 2022): 128\u2013161.<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Ahmed Nuri earned his doctoral degree in literary studies from the University of Amsterdam in January 2024, with a thesis exploring the interplay between modernity, the concept of the tragic,&#8230;<\/p>\n","protected":false},"featured_media":17384,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false},"country":[79],"pl-categs":[5],"acf":[],"_links":{"self":[{"href":"https:\/\/cas.bg\/en\/wp-json\/wp\/v2\/profile\/17411"}],"collection":[{"href":"https:\/\/cas.bg\/en\/wp-json\/wp\/v2\/profile"}],"about":[{"href":"https:\/\/cas.bg\/en\/wp-json\/wp\/v2\/types\/profile"}],"replies":[{"embeddable":true,"href":"https:\/\/cas.bg\/en\/wp-json\/wp\/v2\/comments?post=17411"}],"version-history":[{"count":2,"href":"https:\/\/cas.bg\/en\/wp-json\/wp\/v2\/profile\/17411\/revisions"}],"predecessor-version":[{"id":18986,"href":"https:\/\/cas.bg\/en\/wp-json\/wp\/v2\/profile\/17411\/revisions\/18986"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cas.bg\/en\/wp-json\/wp\/v2\/media\/17384"}],"wp:attachment":[{"href":"https:\/\/cas.bg\/en\/wp-json\/wp\/v2\/media?parent=17411"}],"wp:term":[{"taxonomy":"country","embeddable":true,"href":"https:\/\/cas.bg\/en\/wp-json\/wp\/v2\/country?post=17411"},{"taxonomy":"pl-categs","embeddable":true,"href":"https:\/\/cas.bg\/en\/wp-json\/wp\/v2\/pl-categs?post=17411"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}